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<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"><url><loc>https://structuralcolour.org/2016/11/14/i-see-a-research-visit-to-the-esrf-part-2/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/11/p1020774.jpg</image:loc><image:title>p1020774</image:title><image:caption>Untitled (San titre)</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/11/p1020748.jpg</image:loc><image:title>p1020748</image:title></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/11/p1020779.jpg</image:loc><image:title>p1020779</image:title><image:caption>Unitled (sans titre)</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/11/p1020636.jpg</image:loc><image:title>p1020636</image:title></image:image><lastmod>2017-04-07T10:20:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2017/02/01/stephanies-story-a-research-visit-to-the-esrf-part-3/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2017/02/beetlescale.jpeg</image:loc><image:title>beetlescale</image:title><image:caption>Beetle scale mounted on the point of a needle. Cropped from an image measuring 0.322mm ...</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2017/02/p10207911.jpg</image:loc><image:title>p1020791</image:title></image:image><lastmod>2017-02-01T16:06:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/12/01/i-want-to-look-inside-your-head/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/11/sc-01.jpg</image:loc><image:title>sc-01</image:title></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/11/sc-15.jpg</image:loc><image:title>sc-15</image:title><image:caption>Homage to the Sphere</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/11/p1020874.jpg</image:loc><image:title>p1020874</image:title></image:image><lastmod>2016-12-06T12:49:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/09/23/chromatic-aberration-working-through-colour-models-and-coming-to-terms-with-epiphemonema/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/09/iridescence_exhibition_5.jpg</image:loc><image:title>iridescence_exhibition_5</image:title><image:caption>'Iridescence' - detail from installation.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/09/brighter_jpeg.jpg</image:loc><image:title>brighter_jpeg</image:title><image:caption>Brighter version of the CMYK values converted from PDF.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/09/iridescence_exhibition_2.jpg</image:loc><image:title>iridescence_exhibition_2</image:title><image:caption>Iridescence: five 3D print outs of photonics structures from the butterfly Morpho aurora on coloured plinths.</image:caption></image:image><lastmod>2016-11-05T10:38:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/09/07/to-discover-and-understand-an-artists-visit-to-the-esrf-part-i/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/09/p1020704.jpg</image:loc><image:title>p1020704</image:title></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/09/p1020768.jpg</image:loc><image:title>p1020768</image:title><image:caption>Inside the synchrotron ...</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/09/p1020797.jpg</image:loc><image:title>p1020797</image:title><image:caption>The ESRF viewed from the Fort de Bastille, Grenoble. The synchrotron is the large circular building at the centre of image.</image:caption></image:image><lastmod>2016-09-24T10:07:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/08/17/the-colour-out-of-space-introducing-sound-to-vision/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/08/fullsizerender.jpg</image:loc><image:title>FullSizeRender</image:title><image:caption>"I've seen things you people wouldn't believe" Paul Evans 'road testing' the 'Homage to the Sphere' virtual environment. </image:caption></image:image><lastmod>2016-08-19T12:34:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/07/21/the-bluest-blue-part-i/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/03/laccord_bleu_re_10_1960.jpg</image:loc><image:title>L'accord_bleu_(RE_10),_1960</image:title><image:caption>L'accord bleu (RE 10), 1960, mixed media piece by Yves Klein featuring International Klein Blue pigment on canvas and sponges</image:caption></image:image><lastmod>2016-08-01T17:09:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/about/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2015/10/fotm16-main-logo.jpg</image:loc><image:title>FOTM16 MAIN LOGO</image:title></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2015/10/yom-sheffield-2016-logo.jpg</image:loc><image:title>YOM-sheffield-2016-logo</image:title></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2015/10/lottery__black.jpg</image:loc></image:image><lastmod>2016-07-25T15:22:55+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://structuralcolour.org/2016/02/19/harnessing-structural-darkness-the-blackest-black/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/02/1024px-kaleidoscope-webm.jpg</image:loc><image:title>1024px--Kaleidoscope.webm</image:title><image:caption>View inside a kaleidoscope.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/02/albrecht_dc3bcrer_-_melencolia_i_-_google_art_project__agddr3ehmngya.jpg</image:loc><image:title>Albrecht_Dürer_-_Melencolia_I_-_Google_Art_Project_(_AGDdr3EHmNGyA)</image:title><image:caption>Melencolia I 1514 Albrecht Dürer</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/02/goethe_schiller_die_temperamentenrose.jpg</image:loc><image:title>Goethe_Schiller_Die_Temperamentenrose</image:title><image:caption>The "rose of temperaments" (Temperamentenrose), an earlier study (1798/9) by Goethe and Schiller, matching twelve colours to human occupations or their character traits (tyrants, heroes, adventurers, hedonists, lovers, poets, public speakers, historians, teachers, philosophers, pedants, rulers), grouped in the four temperaments.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/02/kazimir_malevich_1915_black_suprematic_square_oil_on_linen_canvas_79-5_x_79-5_cm_tretyakov_gallery_moscow.jpg</image:loc><image:title>Kazimir_Malevich,_1915,_Black_Suprematic_Square,_oil_on_linen_canvas,_79.5_x_79.5_cm,_Tretyakov_Gallery,_Moscow</image:title><image:caption>Kazimir Malevich, 1915, Black Suprematic Square, oil on linen canvas, 79.5 x 79.5 cm, Tretyakov Gallery, Moscow.</image:caption></image:image><lastmod>2016-07-21T15:40:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/05/13/homage-to-a-sphere-part-ii/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/05/sc-14.jpg</image:loc><image:title>SC-14</image:title><image:caption>A purple object will represent 'The Emperor'.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/05/sc-04.jpg</image:loc><image:title>SC-04</image:title></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/05/sc-12.jpg</image:loc><image:title>SC-12</image:title><image:caption>Fig. I: production still from Homage to a Sphere, virtual reality environment by Paul Evans and Humanstudio, including representations of the ‘Durer Polyhedron’ from Melencolia I.</image:caption></image:image><lastmod>2016-07-21T15:38:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/03/09/homage-to-a-sphere/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/03/josef_alberss_painting_homage_to_the_square_1965.jpg</image:loc><image:title>Josef_Albers's_painting_'Homage_to_the_Square',_1965</image:title><image:caption>Josef Albers 'Homage to a Square' 1965</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/03/green-room.jpg</image:loc><image:title>Green-Room</image:title><image:caption>'Homage to a Sphere' production still Paul Evans and Humanstudio.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/03/munsell_1929_color_solid.png</image:loc><image:title>Munsell_1929_color_solid</image:title><image:caption>Three-dimensional representation of the 1943 Munsell renotations. Notice the irregularity of the shape compared to Munsell's earlier color sphere.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/03/munsell_color_sphere.png</image:loc><image:title>Munsell_color_sphere</image:title><image:caption>Munsell’s color sphere, 1900. Later, Munsell discovered that if hue, value, and chroma were to be kept perceptually uniform, achievable surface colors could not be forced into a regular shape.</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/03/675px-runge_farbenkugel.jpg</image:loc><image:title>675px-Runge_Farbenkugel</image:title><image:caption>Philipp Otto Runge’s Color Sphere (Die Farbenkugel). The top two images show the surface of the sphere, while the bottom two show horizontal and vertical cross sections. "Ansicht" is "Perspective"; "Durchschnitt" is "Cut-out".</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/03/purple-room.jpg</image:loc><image:title>Purple-Room</image:title><image:caption>'Homage to a Sphere' production still by Humanstudio.</image:caption></image:image><lastmod>2016-05-23T19:46:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2016/01/19/nanosculptures-order-disorder-and-beauty/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/01/screen-shot-2016-01-22-at-15-36-42.png</image:loc><image:title>Screen Shot 2016-01-22 at 15.36.42</image:title><image:caption>Nanostructures visible in the wing scales of the Cattleheart butterfly Parides sesostris</image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/01/parides-sesostris-scale-backs-009.jpg</image:loc><image:title>Parides sesostris scale backs 009</image:title><image:caption>Nanostructures visible in the wing scales of the Cattleheart butterfly (Parides sesostris) </image:caption></image:image><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2016/01/blue_morpho_microrib_nise.jpg</image:loc><image:title>blue_morpho_microrib_nise</image:title><image:caption>Microstructures from the wing of the Blue Morpho butterfly. </image:caption></image:image><lastmod>2016-03-10T10:09:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2015/12/10/visualising-colour/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2015/12/moses_harris04a.jpg</image:loc><image:title>Moses_Harris04a</image:title><image:caption>A shaded colour wheel from the pen of British entomologist Moses Harris, featured in his The Natural System of Colours (1766)</image:caption></image:image><lastmod>2016-03-08T20:56:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2015/11/11/living-colour/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2015/11/blue_frog_old.jpg</image:loc><image:title>Blue_frog_old</image:title><image:caption>Original print of the green tree frog, published in John White's Journal of a Voyage to New South Wales. Artist: S. Stone</image:caption></image:image><lastmod>2016-03-08T20:29:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org/2015/11/06/the-colour-of-life/</loc><image:image><image:loc>https://structuralcolour.org/wp-content/uploads/2015/11/butterfly_morpho_rhetenor_helena_m_kl1.jpg</image:loc><image:title>Butterfly_Morpho_rhetenor_helena_(M)_KL</image:title></image:image><lastmod>2015-12-12T11:32:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://structuralcolour.org</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2017-04-07T10:20:32+00:00</lastmod></url></urlset>
